An abstract development of God in Pink. It was used in the Collective’s performance, it was projected over live music and performances, layered with other people’s writing and artwork to create a visually interesting light art piece. However, after that performance, I realised that the shadows produced by the burnt acetate piece where equally visually interesting. These shadows and this manipulation of light links strongly to the light drawing work that I have been experimenting with. The distortion of the light and abstraction of the image, makes for a visually intriguing piece.
So an interesting development would be to project one of my video pieces through acetate like this, to produce interesting shadows and a distortion of the video. That distortion also links to my research into time, language and the reality we perceive. How it’s imperfect and subjective.